灵动的笔触与独特的色彩，诠释着自然生命的本真气息——走进王海燕心中的生命之地

邓以蛰特别重视《周礼》中记载的画与绘的区别，认为画是勾线，绘是着色。邓以蛰根据国画后来的发展趋向，重视画而贬低绘，认为画体现的是文人的书卷气，绘只是工匠的手工活。邓以蛰承认，在后来的发展中，画与绘的区别就不明显了。在人文画中，画压倒了绘；在画工画中，绘压倒了画。

Deng Yizhe places high priority on differentiating painting from depicting as explained in Rites of Zhou, that painting is about lining, and depicting is about coloring. To Deng, he thinks that in the later trends of Chinese traditional paintings, painting is prioritized while depicting is under-valued. It is believed that painting is the work of the literati, and depicting is just a skill of craftsmen. He also acknowledged that in the later developments, the difference between painting and depicting is less prominent. In the literati paintings, painting plays a bigger role than depicting, while in the realistic paintings, depicting is the main focus.

但是，在海燕的画中，我们看到了画与绘之间的游戏。一方面，我们看到了自由的线条，这些线条没有像素描那样被色彩覆盖；另一方面我们看到了丰富的色彩，这些色彩没有被线条束缚住。为了将线条与色彩分离开来，我们看到海燕经常有意识地让它们错位。线条与色彩之间的对立与和解，构成海燕作品的一大特色。

In Haiyan’s works, we can observe a game between painting and depicting. On one side, there are free lines that are not covered by colors as in sketching; on the other side, we can also observe abundant colors that are free from any lines. In order to tell apart the lines and colors, it is her practice to consciously have particular placement or positioning of these elements. The contrast and reconciliation of lines and colors in her works contributes to her uniqueness.

（文/彭锋，北京大学艺术学院院长美术评论家）

Peng Feng, Dean of the School of Art, Peking University, art critic

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