2024.01.26-2024.03.02
艺术家|Artists:
艾安 Ai An, 高惠君 Gao Huijun, 黄钢 Huang Gang,
姜淼 Jiang Miao, 王华祥 Wang Huaxiang,
王轶琼 Wang Yiqiong, 杨千 Yang Qian,
于立 Yu Li, 张羽 Zhang Yu
策展人|Curator:杜曦云DuXiyun
开幕时间|Opening：2024.01.3016:00
地点 | Venue : 金杜艺术中心 KWM artcenter
北京市朝阳区东三环中路1号环球金融中心东塔2层201
2nd Floor, East Tower, World Financial Center, 1 Dongsanhuan Zhonglu, Chaoyang District, Beijing
营业时间 | Opening Time : 周二-六 Tue-Sat 10:00-19:00
金杜艺术中心将于2024年01月26日
荣幸呈现：
「超验自我」——当代艺术家群展
本次展览由杜曦云先生策展，展出艾安、高惠君、黄钢、姜淼、王华祥、王轶琼、杨千、于立、张羽九位艺术家的绘画与装置作品。
The KWM artcenter is pleased to present ‘Self-transcendence - Group Exhibition of Contemporary Artists’ on January 26, 2024.
This exhibition is curated by Du Xiyun and features paintings and installation works by nine artists: Ai An, Gao Huijun, Huang Gang, Jiang Miao, Wang Huaxiang, Wang Yiqiong, Yang Qian, Yu Li and Zhang Yu.
超验自我
天空Sky
艾安AiAn
2010
布面丙烯 Acrylic on canvas
100×80cm
直觉经验、理性思辨、超验信仰，错综复杂地影响着生命个体。心有感知却难以言说的灵性觉知，属于超验的维度，与艺术天然亲和：“艺术家”这一职业自古以来就是和灵性密切相关的；艺术家的荣耀是敏于灵感（Inspiration）、妙于表达。
陶然万里游 Leisure Roaming for Thousands of Miles
高惠君GaoHuijun
2019
亚麻布丙烯色 Acrylic color on linen
120×100cm
北京记忆 No.6 Beijing Memories No.6
黄钢HuangGang
雍正年制琉璃瓦、水墨 Yongzheng-era glazed tile, ink
2023
50×35cm
“创新”似乎是艺术的律令，但“新”未必是“好”。推陈出新、千变万化似乎是艺术的进化，但人性从古至今都没变过，日光之下并无新事。当各种景观争奇斗艳却空洞浮华时，感官疲惫、心灵厌倦。无论过去、现在乃至未来，越是敏感的心灵，越可能会叩问埋藏心底的终极大哉问：我是谁？我从哪里来？我到哪里去？对这个问题的不同答案，积淀为每个人的终极信念，涌现为每个人的独特“自我”。
始基之轮回2023.10.10
The Beginning:Reincarnation 2023.10.10
姜淼JiangMiao
木板丙烯刀刻 Acrylic and cut on wood
2023
150×150cm
靈岫 Peaks of the Fairy Mountain
于立YuLi
纸本水墨 Ink on paper, aluminum plate
2021-2023
75×136cm
和其它领域相比时，艺术的最不可替代性依然是美学。“当代艺术”( Contemporary Art ) 强调的是时间而不是价值取向，多种信念都可以借“当代艺术”这个壳上市，意味着多种绝对差异共处一堂。美学的魅力是表层，信念的方向是深层。终极信念是超验的。
（文/杜曦云）
千里走单骑 1 Riding Alone for Thousands of Miles 1
王华祥WangHuaxiang
布面油画 Oil on canvas
2023
100×80cm
花青渡-2 Gradient of Blue and White-2
王轶琼 Wang Yiqiong
纸本设色 Color on paper
2019
100×100cm
Self-transcendence
Du Xiyun
Intuitive experience, rational thinking, and transcendent beliefs intricately influence individual lives. The spiritual sensation is able to be precepted but unspoken, which belongs to the transcendent dimension and is naturally compatible with art. Artist, a profession that has been intimately associated with spirituality for a long time, is glorified by its strong sensibility of inspiration and feasibility of expression.
Innovation seems to be the universal rule of art, but the sense of novelty implied from the former word does not necessarily refer to the meaning of fineness. Constant changes appear to be the evolution of art, but human nature has remained unchanged throughout history, and there is nothing new. When various landscapes compete in ostentation but are hollow and superficial, the senses become weary, and the soul grows tired. Regardless of the past, present, or future, the more sensitive the soul, the more likely it is to question the ultimate existential questions buried in the depths: Who am I? Where do I come from? Where am I going? Different answers to these questions accumulate into each person's ultimate belief, emerging as each person's unique self.
In comparison to other fields, the most irreplaceable aspect of art is aesthetics. Contemporary Art emphasizes time over value, allowing various beliefs to coexist under the shield of contemporary art, signifying multiple absolute differences. The charm of aesthetics is on the surface, while the direction of belief is in the depth. The ultimate belief is transcendent.
In an increasingly diverse art world, rather than forcibly seeking similarities, it is better to present differences openly. The artists invited to this exhibition have, over the course of their many years in the art world, consciously unfolded their work in the transcendent dimension. They confirm themselves in recognizing the relationship between the individual and the world, the individual and others, and use an evolving aesthetic language to deepen their beliefs. Here, they appear together on the stage, contrasting with each other, showcasing their selves more vividly, and also open to understanding the transcendent beliefs of others.
策展人简介
杜曦云，1978年生,2000年于陕西师范大学美术学院油画系获学士学位。2006年于四川美术学院美术史系,获硕士学位。曾任上海吴美术馆副馆长、上海喜玛拉雅美术馆副馆长。
曾策划多个展览和项目，近期包括：赵半狄的小窝(上海武汉、南京、厦门、沈阳、顺德、青岛、成都、常州、郑州..2020年至今)；洄：繁星计划,武汉美术馆(琴台馆)，2023；我与博伊斯·王广义，上海吴美术馆，2021；确实中的冲击上海首届全球NFT加密艺术展，上海西岸·油罐艺术公园1号罐，2021年；我与博伊斯·尹秀珍，上海吴美术馆2021；我与博伊斯·赵半狄的小窝，上海吴美术馆,2020；联合构筑，苏州金鸡湖美术馆，2020；我与博伊斯·杨振中上海吴美术馆，2020；我与博伊斯·周啸虎，上海吴美术馆，2019；上海文件:匀速运动，上海喜玛拉雅美术馆，2019年；蒙塔达斯：亚洲礼仪，三影堂摄影艺术中心，2018年；今日之往昔：首届安仁双年展，2017年；走向未来：马德里·北京音乐潮，塞万提斯学院，2017年；萧条与供给第三届南京国际美展，百家湖美术馆，2016年；北京·798诞生纪(2002-2006)，宋庄美术馆，2016年。
Born in 1978,graduated from the Department of OilPainting,Shaanxi Normal University's School of FineArts in 2000 with a Bachelor's degree.Completed aMaster's degree in Art History from the Sichuan FineArtsInstitute in 2006.Held positions as DeputyDirector at HOW Art Museum(Shanghai)andDeputy Director at Shanghai Himalayas Museum.
Curated numerous exhibitions and projects,recentones include:"Zhao Bandi's Nut"(Shanghai,Wuhan,Nanjing,Xiamen,Shenyang,Shunde,Qingdao,Chengdu,Changzhou,Zhengzhou...from 2020 topresent);"Drift:Fostering Stars Project"at Wuhan ArtMuseum(Qintai Art Museum)in 2023;"Me&Beuys:Wang Guangyi"at HOW Museum(Shanghai)in 2021;"A Realistic Shocking Of The Virtual Authenticity:Shanghai's First Global NFT Crypto Art Exhibition"atTank 1,West Bund Art Park in Shanghaiin 2021;"Me&Beuys:Yin Xiuzhen"at HOW Museum(Shanghai)in2021;"Me&Beuys:Zhao Bandi's Nut at HOWMuseum(Shanghai)in 2020;"CollaborativeConstruction"at Suzhou Jinji Lake Art Museum in2020;"Me&Beuys:Yang Zhenzhong"at HOW Museum(Shanghai)in 2020;"Me&Beuys:Zhou iaohu"atHOW Museum(Shanghai)in 2019,"Shanghai Files:Uniform Motion"at Shanghai Himalayas Museum in2019，"Montadas:Asian Protocols"at Three ShadowsPhotography Art Centre in 2018,"Yesterday's Today:First Anren Biennale"in 2017;"Exposicion:Elfuturo yaest aquf:frenesi musical de Madrid a Pekin"atCervantes Institute in 2017;"Scarcity and Supply:3rdNanjing International Art Exhibition"at Baijia lake ArtMuseumin 2016，"Beijing 798 Genesis(2002-2006)"atSongzhuang Art Museum in 2016.。
