她在丛中“说” | “存在の爱——杨平东京艺术展”将于3月4日开展

隠された感情-365x45cm紙上の水墨2025

隐秘的情绪-365x45cm纸本水墨2025

Preface

In my opinion, Yang Ping's solo exhibition "Love of Existence" in Japan is not only a concentrated presentation of her recent artistic creations but also a crucial confirmation of the maturity of her personal ink - wash language. From Jinan to Beijing, from Wuhan to Tokyo, her practice has always been characterized by a clear thread, that is, taking the spiritual existence of contemporary people as the core, using ink wash as the medium, and constructing a unique visual expression between tradition and the present, between Eastern aesthetics and personal experience.

B-Love-6  30x30cm  ink on paper  2025

存在の爱-630x30cm紙上の水墨2025

存在之爱-630x30cm纸本水墨2025

This exhibition focuses on "Love of Existence" and elevates the creation to a more gentle and profound philosophical level. In her works, Yang Ping skillfully transforms the fluidity of ink wash and the sense of breath in colors into a gaze on the transience of life and the eternity of emotions. It can be said that the misty ink rhyme in her works not only inherits the brushwork and flavor of Chinese literati paintings but also naturally incorporates the spirit of "mono no aware" and "ichi - go ichi - e" in Japanese aesthetics, thus forming a cross - cultural empathic language. And this exploration that is rooted in the common aesthetic soil but grows out of personal vocabulary is an important path for her to transcend geographical frameworks and reach the universal human nature.

B-Love-6  68x68cm  ink on paper  2025

存在の爱-668x68cm紙上の水墨2025

存在之爱-668x68cm纸本水墨2025

At the level of language expression, Yang Ping shows a conscious sense of breakthrough. By comparison, it is not difficult to find that she has not remained in the early stage of rendering urban feelings with large - scale pictures but has turned to a more internalized and concise expression - whether it is using the life cycle of roses to metaphorize the fate of women or using body narratives to convey complex emotions, she has successfully transformed individual experiences into symbolic image symbols, which is very difficult.

Quiet moments-4  20.5x20.5cm    ink on paper  2025